Gallery opens for artists Amanda Pearson and Halle Rittgers.

Amanda Pearson | Artist Statement | When I get the question of “what kind of art do you do?” my response is “I glue things to boards”. It catches people off-guard and there are always follow up questions, but to me it is the best way to describe how I create.

There is a phrase that has stuck with me for years – “investment of the hand”. People who look at my pieces are drawn to the meticulous nature and it is common for them to react by reaching out and trying to touch the surface. The materials I use are not commonly seen in galleries, but are typically found shoved towards the back of a junk drawer or a forgotten craft bin. There is value in the mundane that my work elevates. For me, creating each piece is meditative. My work requires time, and it takes a lot of it. One of my favorite aspects of these pieces that I have made over the last few years is that they are like a journal; I can see my moods, experiences, and situations expressed over time as I moved through the creation of the image. My art creates a permanent record – I must continually move forward with confidence, because there is little room for adjusting what was done before.

My pieces capture a moment of time in spaces that I consider sacred. Using nature to represent these important moments is the best way that I have found to honor my experiences in a way that also resonates with the viewer.

Halle Rittgers | Artist Statement |My work is a visual narrative of life expressed through abstracted color and form on raw canvas. My paintings explore the dynamic relationships between chance and intention, meditation and play, and color and texture. While studying at Bethel University in St. Paul, MN. I began using natural dyes and second hand textiles, which led me to my present style of using stained washes and a lexicon of marks and shapes on canvas. Growth and contemplation are present in the process as I make compositional choices, working in layers on paper and raw canvas. Each painting starts with playful experimentation as the brush meets the canvas, and advances into more refined exploration. My choice of mark making and my use of recycled materials from past work hint at distant memories in many of my final pieces. 

Through my painting practice, I am constantly striving to become more presentand to find intrigue in the repetitive and familiar, noting that each small mark andmoment in the process plays an important role in the final piece. These ideas run parallelto my exploration of daily life through liturgy, small practices, and the ordinary habitsthat form us as humans. I want to articulate these mundane moments of life as sacredoccasions and celebrations that form us and become part of our story. The overlappingmethodology in my work tells a dynamic story through the process of the painting itself.